On the morning of Sept. 30 in Koreatown, David Allen Moore began a performance of La Monte Young’s “Composition 1960 #10: Draw a straight line and follow it.” The intention of the Los Angeles ...

In its inception, Fluxus was defined by a shared attitude among artistic collaborators. Its purpose was to “promote a revolutionary flood and tide in art, promote living art, anti-art.” The collective ...

A show at the Japan Society focuses on four innovators who created a blueprint for a new society with postcards, scissors, chess sets and instructions. By Martha Schwendener Squatting over a large ...

In the hills of Molvena, a rural corner of the Veneto, one of the region’s most notable manufacturing stories took shape, alongside an extraordinary history of collecting and enlightened patronage.