When Warner Bros first unleashed the long-awaited "Godzilla" teaser trailer late last year, the reaction from critics and audiences worldwide were overwhelmingly positive. No doubt one of the biggest ...

Incredibly, all three of these were once a Hollywood possibility in the mid-90s, before Roland Emmerich and Dean Devlin followed up Independence Day with their much-maligned 1998 take on the iconic ...

I don't hate 1998's Godzilla, and you shouldn't, either! When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. In Godzilla: King of the Monsters, we ...

New Godzilla looks annoyed. Hope he doesn’t read the post below (Picture: Warner Bros) Gigantic mirror, mirror on the wall, who is the fearsomest Godzilla of them all? Hollywood doesn’t do shame, so ...

And yes, we are referring to that movie. Godzilla has some interesting films to say the least, but none have been lambasted like Godzilla 1998. The Hollywood movie was roasted by audiences decades ago ...

Boasting a powerhouse director and big Hollywood support, Godzilla (1998) marked the first time an American studio had ever tried to tackle Japan’s original atomic-breathed beast. But despite an ...

Set aside 1998’s overly goofy tone, unrecognizable monster and cheesy dialogue and pay attention to five things Emmerich’s version did better than the product Warner Bros. distributed in 2014. See ...

Godzilla-as-animal (rather than Godzilla-as-intelligence) is one of the core launching tenets of the character. Credit must be given to Emmerich and his producing and writing partner Dean Devlin for ...

1998 was the year of Godzilla. Roland Emmerich, the director of sci-fi blockbuster Independence Day, brought Toho’s King of the Monsters to American audiences in the reboot starring Matthew Broderick, ...

Forbes contributors publish independent expert analyses and insights. Travis Bean writes about the best movies available to stream. In its third week of release, Godzilla: King of the Monsters pushed ...