Erin Wall, whose silvery yet warm soprano voice infused works by Mozart, Strauss, Britten and Mahler with luminous elegance, died Oct. 8 at a hospital in Mississauga, Ontario. She was 44. The cause ...
Kathryn: I always talk about how singing “Queen of the Night” is like throwing darts with your eyes closed. You have a dart in your hand, you know exactly where the bull's eye is, you shut your eyes, ...
On Saturday Opera Neo gave a 21st century treatment to an 18th century opera composed by a 14-year-old. Their production of Mozart’s “Mitridate, re di Ponto” took place on the ground floor of Park & ...
Mozart was improbably transported to the Roaring ’20s in Virginia Opera’s “Così fan tutte” this past weekend at Norfolk’s Harrison Opera House. While shifted in time, good Mozart (and this is good), ...
OperaWire had the chance to speak with Yoncheva on her exploration of Giordano and what the composer means to her.
‘Amadeus,” the 1984 eight Academy Award-winning Miloš Forman film, didn’t originate the idea that Wolfgang Amadeus Mozart was poisoned by his mediocre colleague Antonio Salieri, nor the 1979 Tony ...
The first article of music criticism I ever wrote was a review of a 1974 Merola Opera production of Mozart’s The Magic Flute. (This review appeared in the August 25-29, 1974 issue of the now long ...
Roberta Alexander, who has died aged 76, was an American soprano whose elegant voice was matched by her effortless skills as ...
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Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. It had a great score but an unmanageable book. So the director had it ...
Performances in N.Y.C. Advertisement Supported by By Corinna da Fonseca-Wollheim “La Clemenza di Tito,” Mozart’s least-loved opera, returned to the Metropolitan Opera on Saturday evening to an ...
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