The newly signed co-production treaty between the Netherlands and Indonesia aims to strengthen bilateral film collaboration, providing filmmakers from both countries access to national funding schemes ...
As the 2025 Rotterdam International Film Festival opens its doors to audiences on Thursday — the 54th edition of the IFFR runs Jan. 30-Feb. 9 — festival director Vanja Kaludjercic and managing ...
EXCLUSIVE: Amsterdam-based Film Harbour has picked up international sales for Tom Fassaert’s documentary Between Brothers, ...
GMA actress Glaiza de Castro will attend the International Film Festival Rotterdam (IFFR) this January 2026 in the Netherlands for the world premiere of the GMA Public Affairs and GMA Pictures ...
The Dutch film industry, often overshadowed by its European counterparts, finds itself at a potential turning point. Industry insiders are vocal about the challenges and opportunities that lie ahead, ...
Bosnian-Dutch director Ena Sendijarević’s satire Sweet Dreams unfolds on a plantation in the Dutch East Indies that is falling into decay in step with the crumbling of the Netherlands’ colonial power.
The International Film Festival Rotterdam (IFFR), wrapped over the weekend, having shone a spotlight on the Indonesian cinema and film industry. That focus came on the back of a co-production ...
26/03/2025 - According to a recent study, for every euro granted through the incentive, an average of €4.08 was spent within the country, benefitting local crews, facilities and suppliers The latest ...
The Netherlands and Indonesia signed an audiovisual co-production agreement at the inaugural JAFF Market on Wednesday. The treaty was signed by Indonesian Deputy Minister of Culture Giring Ganesha ...
24/01/2024 - The fund is seeking to raise awareness of the CO₂ impact of individual film projects among creators and mitigate the industry’s carbon footprint While achieving sustainability in the ...
Sandra den Hamer, CEO of the Netherlands Film Fund, highlighted that the treaty emerged from grassroots interest rather than top-down policy. “It comes from the filmmakers and producers. There’s a lot ...