Director Claus Guth’s production of Salome at the Metropolitan Opera is heavily laden with psychoanalytic symbols. King Herod’s titular stepdaughter, dressed in a Victorian-era children’s dress ...
Almost everyone in Salome wants something they shouldn’t. A king desires his stepdaughter, a servant desires a princess and a princess desires a prisoner with equal parts fascination and repulsion. We ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results