As Adolescence supervising sound editor James Drake and Secret Level supervising sound editor Matt Yocum tell it during our Meet the Experts: TV Sound panel, their work might be intrinsic to what we ...

Supervising sound editor Richard King, nominated for an Oscar for the film, explains why he didn’t — and couldn’t — inherit a sound library for the sequel. By Beatrice Verhoeven Awards Editor Even ...

When it comes to content creation, sound is vital. What a listener hears, whether it be an audio-only format or a video, greatly influences how they perceive a piece of content. Good audio signals ...

Performances in N.Y.C. Advertisement Supported by When composers publish their scores or prepare them for performance, they need an editor — a role that rarely enjoys the classical music limelight. By ...

Paul Ottosson has been working with director Kathryn Bigelow since she gave him his first official film job on her Oscar-winning drama The Hurt Locker. Ottosson also won an Oscar for his work on the ...

Jeremy Allen White (Carmy) and Ayo Edebiri (Sydney) on FX on Hulu's The Bear FX/HULU Compliments to the chef? Perhaps it should be compliments to the sound. From the non-stop whirring of a receipt ...