As Adolescence supervising sound editor James Drake and Secret Level supervising sound editor Matt Yocum tell it during our Meet the Experts: TV Sound panel, their work might be intrinsic to what we ...
Supervising sound editor Richard King, nominated for an Oscar for the film, explains why he didn’t — and couldn’t — inherit a sound library for the sequel. By Beatrice Verhoeven Awards Editor Even ...
Performances in N.Y.C. Advertisement Supported by When composers publish their scores or prepare them for performance, they need an editor — a role that rarely enjoys the classical music limelight. By ...
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