At this year’s Oscars, films from Pixar and Aardman were beaten as best animated feature by a Latvian film called Flow. As Gints Zilbalodis’s heartbreaker goes on release, we track the contemporary ...

The Emmy-nominated comedian, actor and writer will discuss his career, including his latest role in Andrew Ahn’s The Wedding Banquet.

Based on an avant-garde wartime play, The Lost People was scripted by the pioneering filmmaker Muriel Box (who also directed some sequences) and presents an unusual depiction of the turmoil of ...

As Ken Russell’s Tommy turns 50, we explore the world of hit albums that have expanded into their own movies, from A Hard Day’s Night to Purple Rain.

If you’re unable to start or develop your career in screen heritage for financial reasons, we can support you with bursaries. A Screen Heritage Fund individual skills bursary is a grant to remove the ...

Director Gabriel Mascaro’s fantastical odyssey about a woman on the run from an ageist authoritarian government avoids the grating sentimentality of so many late-life renaissance movies.

Has is the Polish director who blew cinephile minds with his cult 1965 classic The Saragossa Manuscript. But his four-decade career offers plenty more to discover, though few of his films were ever ...

Robert Pattinson is cloned over and over, a remarkable debut puts a human face on dehumanising work, and Bob Dylan gets a night of TV. What are you watching this weekend?

Anderson sparkles as the older Vegas showgirl Shelly, but Gia Coppola’s film is overly dependent on the blurred lines between its character and star.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed.