Coco Fusco’s breakout came three decades ago at a high watermark of debates over identity politics and multiculturalism, ...
I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky Friday night in July—“date night” at the Metropolitan Museum of Art, as the Met ...
On August 29, 2023, the Globe and Mail published an article headlined “Toronto’s cash-strapped Artscape to enter receivership, end management of 14 artist facilities.” Because I’d recently spent two ...
Top-down artistic messaging of this sort is rarely successful because it misunderstands the power dynamic between a work and its audience. What do these massive sculptures reveal about our shifting ...
A soft, warm light morphs into a shadow of a woman’s braided hair on the back of her neck. There is the sound of faint footsteps as she moves around her flat, shifting objects in the kitchen, the ...
The painter Agnes Martin contemplated language with a great deal of skepticism. Though she produced an impressive body of written work, mostly compiled and published for public consumption, Martin ...
Historical hypocrisies are thus made into moments of sincere personal shortcomings rather than situated as forms of systemic oppression essential to the construction of the world’s most merciless ...
Amy Sillman is a highly regarded painter, writer, and curator based in New York. One might regard her as a consummate insider. The artist has a solo exhibition at Gladstone Gallery this May but hails ...
In Vox Populi, Vox Dei, Tau Lewis’s recent exhibition at 52 Walker, textiles and temporal forces worked together to unstitch and rethread imperial mythmaking. Lewis’s monumental sculptures, inspired ...
Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though his most renowned artworks are in the next gallery along with his clownish public ...
During the reign of Benito Mussolini, an enormous carved relief of the dictator’s head loomed over the streets of Rome, his downcast gaze surveilling the Italian public night and day. The oversize, ...
When it comes to critical analysis of an Indigenous artist’s output, there is a tendency to circumscribe. We want to capture and we want to contain—the work, the ethos, the artist herself. We ask ...