Askance tales of a storied city, New York 1995–1996 is photographer Stephen Clarke’s record of a “brief moment” that ...

Liverpool Biennial 2025: BEDROCK, proposes, says director Sam Lackey, to explore and expose the city’s foundations, by ...

“As the midday sunshine streams through gallery windows, there is an almost tangible dread.” Mike Pinnington on finding the ...

An Introduction To Psychogeography. Psychogeography is more than the psychological effects of the urban environment, argues Maisie Ridgway.Here, she explains why the movement has become a political ...

Sian Hill: As a working-class artist amongst other artists, you’re always made to feel the need to pipe down and get off your soapbox by your more privileged peers.Class seems to make many artists ...

In a shock move, 24 arts organisations ( of those, 18 are currently NPOs) will relocate outside of London, in negotiations with the Arts Council, to other key areas in the North, Midlands and South, ...

From Shaw’s Weeds of Wallasey on the Wirral, we find ourselves hurtle back through time, making landfall on the opposite side of the river. Atkinson Grimshaw’s Liverpool Quay by Moonlight (1887) ...

These are the questions that URNA prompts. Exhibited through June at Somerset House for London Design Biennale 2025, and responding to the festival theme of ‘Surface Reflections’, Malta’s Pavilion ...

The Scuola di Grafica, a centre for graphic arts, provided Ferry with studio space and accommodation. As Ferry investigated the locations in Venice used for the film Don’t Look Now, his studio space ...

It did indeed turn out to be one of our most regular film critics — Scovell has written about everyone from Jen-Luc Godard to Ken Russell for us since 2012, as well as pursuing a PhD and freelance ...

Quayle’s travels go beyond Liverpool and London. Material collected from other locales also finds a place in the inventory. A basket-woven object discovered by Quayle when he was in Barcelona becomes ...