In addition to all the above, Lunch is notable for being one of the only artists to be featured in the Invisible Jukebox twice, having previously been tested by Hopey Glass in The Wire 114 in August ...
“DJ Spoony, one of the original pioneers of the UK garage scene,” read the email from London’s Barbican centre, “has joined ...
Negative reviews have been sidelined in an era of commercial pressures and microscenes that celebrate themselves, but ...
Darren Cunningham’s supple, warm, second album of ‘R&B concrète’ was equal parts pop constructivism and humid club compulsiveness. Informed as much by 1980s pop as House and Techno, his meticulous ...
A collection of tracks from the New York label Alrealon Musique specially compiled for The Wire.
Subscribers: read this issue online. Subscribe to the magazine. Buy issue 474. Inside our brand new issue: Annea Lockwood: Having explored the outer reaches of sound across a multi-decade career ...
The Family Elan are a trio consisting of Krzysztof Hładowski (A Hawk And A Hacksaw, The One Ensemble, Nalle, Scatter) on Greek bouzouki, ...
Releases of the Year: We asked our contributors to vote for their top ten records, CDs, streams and more, then added up the votes ...
Subscribers: read this issue online. Subscribe to the magazine. Buy issue 488. Inside our brand new issue: Keiji Haino: From Black Blues to grey hairs, the Fushitsusha figurehead keeps pushing into ...
Read an interview with the late composer Bernard Parmegiani, by Rahma Khazam. First published in The Wire 176, October 1998. Bernard Parmegiani is not the first name that springs to mind when the talk ...
All systems open might be the rallying cry of artists the world over, but Mark Fell argues the case for technological limitation as a trigger for creativity. Back in the early 1980s, the synth pop ...