With Japan’s first full-colour film, Carmen Comes Home, screening around the UK, we dive into the luminous world of Japanese colour filmmaking in the 1950s and early 1960s.
Dedicated to analog color photography, Tronvoll’s practice is centred around craftsmanship and she collaborates with master printers such as Dagmar Miethke in Düsseldorf and Barbara Thiel in Berlin to ...