During the pandemic lockdown, Yale’s Ayesha Ramachandran tried an experiment in poetry consumption. Ramachandran, an associate professor of comparative literature, bought stacks of books of ...
—If the best French lyric poetry of modern days has indisputably a charm of refinement and delicate beauty all its own, the best of the German has an inveterate earnestness and a depth of feeling that ...
Is rap music a form of lyric poetry? A new anthology, published by Yale University Press, makes the case. Jeffrey Brown reports. And finally tonight: from our political wrap to rap, the music, and ...
Once, in my youth, I took a graduate philosophy seminar I thought would be about law and justice: Instead we discussed the semantic implications of punctuation marks. After class, I found myself ...
WE have been so long accustomed to think of Dante chiefly as the poet of The Divine Comedy, and of Shakespeare chiefly as the dramatist of the Plays, that we do not always remember that they are also ...
Lyric poetry as a temporal art-form makes pervasive use of narrative elements in organizing the progressive course of the poetic text. This observation justifies the application of the advanced ...
The poet Andrew Weatherhead once tweeted, “The best way to read a poem is to pretend each line is the name of a horse; so the poem is just a list of horses.” This joke says something serious about ...
On a recent Friday afternoon, I joined Joe Hoover, S.J., our poetry editor, and James Davis May, the winner of last year’s contest, in a spirited debate to choose the winning poem for the 2025 Foley ...
Forbes contributors publish independent expert analyses and insights. Jonathon Keats is a writer and artist who critiques museum exhibits.
In “Against Conceptualism,” Calvin Bedient seeks to “defend the poetry of affect” against the tide of conceptualism. I offer four responses here in nucleo before unfolding them below. One. Contrary to ...
Editor’s Note: This is one of two essays responding to Calvin Bedient’s “Against Conceptualism.” Read Rachel Galvin’s response here. These models . . . are so concerned with the work being done in the ...
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