In my book, Spoiled, I engage with a group of contemporary Asian American artists who expose and unravel the expectation that ...

Years, Abbas Akhavan’s current exhibition at the Belkin Art Gallery at the University of British Columbia (UBC), loosely ...

Summer Kim Lee and TJ Shin. Summer Kim Lee is an assistant professor of English at University of California, Los Angeles. Her first book, Spoiled: Asian American Hostility and the ...

I’ve spent the better part of five months trying to write a review of a show that’s now closed: MOCA Toronto’s inaugural exhibition, Believe….

I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky Friday night in July—“date night” at the Metropolitan Museum of Art, as the Met ...

A soft, warm light morphs into a shadow of a woman’s braided hair on the back of her neck. There is the sound of faint footsteps as she moves around her flat, shifting objects in the kitchen, the ...

For the ancient Greeks, the division of time was represented by a separation of chronos from kairos. To symbolize durational or cyclical time, Greco-Roman mosaics personified chronos as a god turning ...

Momus: The Podcast is a monthly arts and culture program hosted by Sky Goodden and Lauren Wetmore. Bringing Momus's unique insistence on criticality into a more conversational register, the podcast is ...

The German American artist Eva Hesse kept meticulous diaries throughout the late sixties and seventies that account for both her personal and professional anxieties, her creative process and ...

Amy Sillman is a highly regarded painter, writer, and curator based in New York. One might regard her as a consummate insider. The artist has a solo exhibition at Gladstone Gallery this May but hails ...

Within the flood of new trans memoirs and books offering their definitive takes on trans theory in the past few years, I gratefully found hannah baer’s book, Trans Girl Suicide Museum (Hesse Press, ...

Top-down artistic messaging of this sort is rarely successful because it misunderstands the power dynamic between a work and its audience. What do these massive sculptures reveal about our shifting ...