Don Hatcher, a technical illustrator and land-and-seascape painter living in Newport, Washington, used that photograph as the ...

Sally Quinn won’t return my emails. Perhaps Quinn, the doyenne of Washington, D.C., and the widow of the Washington Post ...

Robert Steven Mack on historical recreations with the Paul Taylor Dance Company at the Joyce Theater.

On a performance of Benjamin Britten’s The Turn of the Screw, at the Spoleto Festival.

Max Sligh on “Venice and the Ottoman Empire,” at the Frist Art Museum, Nashville.

Kyle Smith on "Angry Alan," by Penelope Skinner at Studio Seaview.

Erin Morley, the soprano from Utah, gave a recital at the Park Avenue Armory. She was accompanied by Gerald Martin Moore, the pianist (and opera authority) from Scotland. They gave a program of songs ...

He sought to give an impression of spontaneity in his painting, making him a pioneer of what is now called Impressionism. At ...

Rare is the opera that continues to be performed in two languages, but the exigencies of the Paris Opera have imprinted that legacy on a handful of works. Many are mid-nineteenth-century Italian ...

The Tin Angel is a new opera by Daniel Asia, the American composer born in 1953. It is based on a novel of the same name by ...

The Leonard A. Lauder Collection.” Highlights from Cooper’s collection included Georges Braque’s Trees at Estaque (1908), a ...

Here is another manifestation of that prior worldview: the Metropolitan Opera’s new staging of Giuseppe Verdi’s opera Aida, currently running at the Met (see the May 2025 issue of The New Criterion).