Do short story adaptations make better films than novel adaptations? Ahead of the release of a new film of Stephen King’s The Monkey, we look at 10 of the best.

Sweden, Jon Blåhed’s engaging debut about a doomsday cult’s increasingly unhinged hijinks is undermined by its controlled, conventional style.

With narration by Maya Hawke, Alex Ross Perry’s three-hour video essay about the role of video shops in popular culture frames them as sites of pleasure, pain and potential.

The newly remastered 1975 cult classic starring British rock band Slade will be back in cinemas and released on Blu-ray for the first time in May.

When Renée Zellweger first appeared on UK screens as Bridget Jones, critic Leslie Felperin was impressed by her fine comic timing in a film that ‘slips down as easily as Chardonnay’.

In his trademark ‘chunky wonky’ stop-motion animation style, Adam Elliot again finds beauty in unbearable bleakness with Grace, a troubled hoarder of snail memorabilia.

Based on transcripts of American photographer Peter Hujar’s (Ben Wishaw) interview with Linda Rosenkrantz (Rebecca Hall) and taking place in Rosenkrantz’s lushly imagined apartment, Sachs's latest ...

Reid Davenport’s incisive documentary challenges the ableist notions that surround the argument for medically assisted dying, and its potentially chilling consequences for disabled people.

Danish-Palestinian director Mahdi Fleifel blends slick stylistics with gritty realism in his empathetic portrait of two hustling refugee cousins searching for a way out of Athens.

Producers can apply for between £5,000 and £25,000, for stand alone fiction short films in live action, animation or immersive/virtual reality, that have directors based in England. If your director ...

Set in London‘s high-fashion industry during the era depicted in Phantom Thread, It Started in Paradise was shot in Technicolor by Jack Cardiff but is rarely seen today. Curator Josephine Botting ...

Telling the remarkable story of Geraldine Flower and a suitcase of treasured letters, Iain Forsyth and Jane Pollard’s performance film will be in cinemas in the UK and Ireland from 9 May.