Photography at MoMA: 1840–1920 Edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister, 2017 Hardcover, 376 pages The Original Copy: Photography of Sculpture, 1839 to Today ...

“I want to be the painter of my country. I am so thankful to have spent the whole of my childhood in the fazenda. My memories of that time have grown precious to me,” wrote Tarsila do Amaral in a ...

“The dream world and the real world are the same,” declared Spanish-born artist Remedios Varo, who alchemically combined traditional techniques, Surrealist methods, and mystical philosophic inquiry ...

Quoted in Klaus Biesenbach, Marina Abramović: The Artist Is Present, ed. Mary Christian (New York: The Museum Of Modern Art, 2010), 74. Marina Abramović and James Kaplan, Walk Through Walls: A Memoir ...

In expansive canvases like No Rain (1976), Joan Mitchell combined assertive, richly textured brushwork with vibrant, lyrical color. “ Abstract is not a style, I simply want to make a surface work,” ...

American, 1938–2024Richard Serra Sculpture: Forty Years Kynaston McShine and Lynne Cooke. Interview with Richard Serra by Kynaston McShine. Essays by Benjamin H.D. Buchloh, Lynne Cooke, and John ...

When The Museum of Modern Art’s first director, Alfred H. Barr, Jr., met Aleksandr Rodchenko on his trip to Moscow in 1927—one of the first times an Anglophone art historian had visited the Soviet ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Born in the Prussian city of Königsberg (now Kaliningrad, Russia) in 1867, Käthe Kollwitz established herself in an art world dominated by men by developing an aesthetic vision centered on women and ...

Susan Aberth, “The Alchemical Kitchen: At Home with Leonora Carrington,” Nierika 1.1 (June 2012): 9. Interview with Leonor Fini by Whitney Chadwick, La Ferma St Sauveur, Saint-Dyé-sur-Loire, France, ...

Artist, theoretician, and educator Hito Steyerl has wondered, “Are people hidden by too many images? . . . Do they become images?” To make sense of global, digital, networked life, Steyerl integrates ...

And part of that interest in travel too was that I never wanted to hold on to things or have too many possessions. That’s why the Internet was so freeing, because my practice in art school was always ...