It’s October, 1970. The midwives help a family with a history of drug addiction. Dr Turner and Shelagh take the final steps in May’s adoption, whilst Joyce faces the disciplinary board.

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Casting himself as her equally glamorous, camp, caddish former husband Elyot, the play paints a barely disguised intimate portrait of their real-life, love-hate relationship. Coward envisaged the ...

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