To accompany his report on Warm Winters Ltd in The Wire 503/504, Antonio Poscic explores a playlist of releases from the ...

London’s extensive railway infrastructure is both a refuge for DIY nightlife and under threat from gentrification, writes ...

Anna Högberg Attack “Gnistran - Hematopoesi - Emlodi” 0:15:51 ...

For several years, the supposed death of the band has been cropping up in state-of-the-nation style music discourse. The obvious culprit? Financial hurdles of the sort that even successful bands can ...

The Wire’s Releases of the Year chart for 2025 was compiled from the individual votes of the magazine’s staff and contributors – here are those votes in full ...

Far beyond novelty or experiment, 2025 was the year that crossover projects rejected genre labels for endless sonic possibilities, writes Stewart Smith in The Wire 503/504 ...

In The Wire 503/504, Xenia Benivolski writes that as the speed of events and information flows increases, drone based slowness offers another mode of perception ...

The 18 December edition of The Wire’s weekly radio show on Resonance FM and Resonance Extra featured music from The Wire's Top 50 Releases of the Year, including Natural Information Society, DJ Haram ...

Traditional instruments, folk cultures and mythic ideas of futurity offer slip roads exiting AI’s highway to a hollow future, argues Daryl Worthington in The Wire 503/504 ...

The music industry's uptake of AI complicates the boundaries between listener, artist and music in troubling new ways, argues DeForrest Brown, Jr Our habit of referring to music as an aesthetic object ...

The 11 December edition of The Wire’s weekly radio show on Resonance FM and Resonance Extra featured music by Martin Dupont, Brandy Dalton, Lolina, Los Thuthanaka and more ...

In The Wire 503/504, Lucy Thraves argues that luxury labels and conglomerates are keen to purchase some avant garde glory, but at a cost to experimental music and the ecosystem that supports it ...